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(03) ExperimentsPlayroom, ongoing

Not everything needs a brief.

Things made for no one in particular. Two of them are interactive — go ahead and press on them.

Interactive sketches02

Pressure Letter controls
E.05

Pressure Letter

A single letter that gains weight and width as you lean on it. Move across the box, drag, or use the sliders.

Composition 01 / 07

E.06

Cut & Arrange

Paper shapes that rearrange themselves into a new composition each time you ask. Seven compositions, then it starts again.

Studies04

Type study of oversized, soft-cornered heavy serif letters S, o and f cropped off the edges, graphite on parchment, with a vermilion ring marking an ink trap.

E.01 — Type study, 2025

Soft Serifs

What happens to a serif when you round off every corner until it feels like a pebble? Drawn at poster size, cropped on purpose.

September colour diary: thirty hand-placed swatches dated 01.09 to 30.09 with hex codes and notes such as 'after rain', 'orange peel' and 'bus seat'.

E.02 — Colour, 2025

Chroma Diary

One colour a day for a month, sampled from whatever caught my eye: a bus seat, orange peel, the sky after rain.

Faux cyanotype contact print of white fern and wild-oat silhouettes on mottled Prussian blue, with deckled edges and a pencil caption.

E.03 — Image-making, 2024

Blue Hours

Cyanotype-style prints of ferns and grasses from a single walk, rebuilt as vector silhouettes and printed in Prussian blue.

Motion-sketch still of twelve nested squares in cobalt and white, each rotated a step further around a vermilion core, with the counter 'frame 018/120'.

E.04 — Motion sketch, 2026

Loop no. 12

Twelve squares, one rule: each turns a little later than the last. A study in delay as a design material.

Longer experiment

Glyph Garden — letterforms that grow like plants.

Read the full experiment